KAROL G has built a career on making big feelings sound even bigger, and NO ME ARREPIENTO DE SENTIR TANTO finds her leaning ALLLLL the way into them. Her seventh studio album moves freely through love, heartbreak, anger, nostalgia, hope and healing without suggesting that one feeling has to disappear before another can take its place.

Baby Rose has a voice you recognize immediately—deep, expressive, and a throwback to an era of smoky rooms and clinking cocktails—and on YEARNALISM, she puts it in service of a deeply personal story.

There’s a reason Eric Bellinger put his own name on this album. Released via Rodney “Darkchild” Jerkins’ EVOLVE Music in partnership with TAMLA/Motown, Eric Bellinger feels like one of his most personal statements yet, bringing the confidence and polish of his R&B songwriting together with a willingness to talk openly about family, loss, commitment and growing into the man he is today.

Papoose has never been short on bars, and with Bars On Wheels: A Journey to Save Hip-Hop, he's taking them for a ride. The Brooklyn MC turns his popular in-car freestyles into something much bigger, combining an EP with a cinematic short film that asks a question worth considering

For Isaiah Rashad, It's Been Awful (Top Dawg) might be the album title, but the music tells a much bigger story. The Chattanooga-born rapper returns with his third studio album, taking the introspective hip-hop that first earned him a devoted following and stretching it into something even more adventurous.

Ice Nine Kills have built an art form out of bringing horror and heavy music together, and “Twisting the Knife,” featuring Mckenna Grace, feels right at home in their world, and is slashing its way to the top of the charts.