There’s something wonderfully hard to categorize about Pauline Frechette’s At The Edge Of Everything. Across seven tracks, the composer, pianist and vocalist moves between alternative jazz, neo-classical music and traditional pop, creating a record that can be intimate one moment and beautifully expansive the next.

On her third studio album, Do You Still Love Me? (10 Summers/Interscope Records), Ella Mai reunites with longtime collaborator Mustard, who executive-produced the 14-track collection and once again proves an ideal partner for her unmistakable brand of contemporary R&B.

Lukas Graham is getting back to where it all began on Good Times, his new 13-track album that trades some of the polished pop sheen for something warmer, earthier and deeply personal.

Nicole Zuraitis has never been afraid to put some truth into a song, but on The Devil I Knew (La Reserve Records), she goes considerably further. The two-time GRAMMY® winner turns the unraveling of a relationship into an ambitious 20-track concept album that unfolds across five interconnected movements, moving through heartbreak, accountability, grief, healing and, eventually, self-discovery.

Eclectic jazz chanteuse and composer Kathy Ingraham returns with JAZZ DREAMS, her fourth album dedicated to the genre and a project that beautifully blurs the lines between jazz and classic rock.

Mariah Carey and Kaytranada come together on a luminous new reimagining of “Don’t Forget About Us,” earning a GRAMMY® nomination for Kaytranada in Best Remixed Recording.