Multi-GRAMMY® winner Stanley Clarke has spent his career refusing to stay in one musical lane, and Last Train to Sanity continues that tradition on his own terms. Self-funded to give Clarke and his musicians complete creative freedom, the project moves through jazz, fusion and contemporary sounds while keeping his unmistakable bass voice at its center.

There’s something wonderfully hard to categorize about Pauline Frechette’s At The Edge Of Everything. Across seven tracks, the composer, pianist and vocalist moves between alternative jazz, neo-classical music and traditional pop, creating a record that can be intimate one moment and beautifully expansive the next.